Showing posts with label Gothic Horror. Show all posts
Showing posts with label Gothic Horror. Show all posts
Thursday, 14 June 2018
#BlogTour The Woman in the Mirror by Rebecca James
Welcome to the BlogTour for The Woman in the Mirror by Rebecca James. It has a real feel of the old classics. Echoes of Rebecca and Jane Eyre can be heard in the hallways. Enjoy this Gothic Horror come Ghost story featuring a vengeful woman, who influences the lives of her enemy for years after her demise.
About the Author
Rebecca James was born in 1983. She worked in publishing for several years before leaving to write full-time, and is now the author of eight previous novels written under a pseudonym. Her favourite things are autumn walks, Argentinean red wine and curling up in the winter with a good old-fashioned ghost story. She lives in Bristol with her husband and two daughters.
Follow @HQStories
About the book
'You’ll be the woman of this house, next, miss. And you’ll like it.’
1947 - Governess Alice Miller loves Winterbourne the moment she sees it. Towering over the Cornish cliffs, its dark corners and tall turrets promise that, if Alice can hide from her ghosts anywhere, it’s here. And who better to play hide and seek with than twins Constance and Edmund? Angelic and motherless, they are perfect little companions.
2018 - Adopted at birth, Rachel’s roots are a mystery. So, when a letter brings news of the death of an unknown relative, Constance de Grey, Rachel travels to Cornwall, vowing to uncover her past.
With each new arrival, something in Winterbourne stirs. It’s hiding in the paintings. It’s sitting on the stairs. - It’s waiting in a mirror, behind a locked door.
Review
The story has echoes of the classics, it has a distinct feel of Rebecca and Jane Eyre, which is especially evident in the writing and the first few chapters.
The story ventures into three periods in time beginning with the woman who goes on to influence the paths of quite a few women in Winterbourne, and not in a good way. Her presence is felt in the area and in the house. A nefarious essence lurking in every corner, every swirl of mist and each drop of water in the cold murky sea.
Rachel inherits the decrepit old mansion, and finds herself drawn into the mysteries of the past during her attempts to trace her real parentage. She also wants to know why her mother gave her up for adoption. The answers she finds are completely unexpected, and she is really surprised by how drawn she is to the house and the local people.
She finds evidence of a governess called Alice, who used to live there in the late 40s. She left under a cloud of mystery and scandal. It seems as though she was one in a series of women with a tragic connection to Winterbourne and the family de Grey.
It has a haunting gothic vibe and is infused with a creepy sense of foreboding. James pulls the readers, and some of the characters, along on kind of a red herring trail with the majority believing Laura is controlling the house. The truth is far more sinister.
The author creates an eery atmosphere which seeps through the characters, the house and the surrounding area, almost like a dark cloud of evil. Even when it seems as if the characters are finally getting the upper-hand or moving on, something or someone puts them back in their place. Once a Winterbourner always a Winterbourner.
James has created a ghostly read with a vengeful presence controlling the narrative, it is a dark and compelling read.
Buy The Woman in the Mirror at Amazon Uk or go to Goodreads for any other retailer.
Kindle pub date 14 June 2018 Paperback pub date 14 June 2018
Publisher: HQ - Harper Collins UK
Saturday, 15 November 2014
Wakening the Crow by Stephen Gregory
Does it steer close to the kind of macabre horror Poe is known for? Well, it starts off with good intentions but flounders towards the end. Gregory seems to be trying to lead with two story-lines at once.
First the creepy Poe cursed tooth one, and then the family dynamic of the main character and his guilt.
Pick one and go with it. You want to mess the borders between good, bad, evil and downright creepy as hell? Then do so with abandon and a little less of the dilly dallying.
There were some other issues that distracted from the Poe-esqueness of it all. Yes, I totally made that word up. The first being the strange meanderings of paedophilia both in thoughts and accusations. Sentences like 'a cherub with baby tits' leave an uncomfortable after-taste.
What was the point? Unless the guilt inside him has come from that core issue or the evil he is experiencing is his own lack of acceptance, hence the disgust at his hidden desires. Then perhaps it would have made more sense, as it is it just seemed to be a touch one too many times in the wrong direction. Pardon the pun.
The second issue was the constant need for the main character to be utterly and completely naked in the majority of scenes. Who wanders round in sooty, dusty attics and book-stores with their crown jewels dangling in the wind? Who thinks it is appropriate to be completely naked with their also completely naked young daughter in the middle of the night?
Again, if the idea was to have the main character fight an internal yet subconscious battle with the idea of his own paedophilia it makes sense. The desire to be unclothed indicating his inappropriate desire for her, for instance. If not then all that nakedness makes no sense and is merely gratuitous.
Gregory appears to have an aptitude for Gothic horror and a love of Poe, however the plot needs to tighter, as does the clarity of the plot.
I received a copy of this book via NetGalley.
First the creepy Poe cursed tooth one, and then the family dynamic of the main character and his guilt.
Pick one and go with it. You want to mess the borders between good, bad, evil and downright creepy as hell? Then do so with abandon and a little less of the dilly dallying.
There were some other issues that distracted from the Poe-esqueness of it all. Yes, I totally made that word up. The first being the strange meanderings of paedophilia both in thoughts and accusations. Sentences like 'a cherub with baby tits' leave an uncomfortable after-taste.
What was the point? Unless the guilt inside him has come from that core issue or the evil he is experiencing is his own lack of acceptance, hence the disgust at his hidden desires. Then perhaps it would have made more sense, as it is it just seemed to be a touch one too many times in the wrong direction. Pardon the pun.
The second issue was the constant need for the main character to be utterly and completely naked in the majority of scenes. Who wanders round in sooty, dusty attics and book-stores with their crown jewels dangling in the wind? Who thinks it is appropriate to be completely naked with their also completely naked young daughter in the middle of the night?
Again, if the idea was to have the main character fight an internal yet subconscious battle with the idea of his own paedophilia it makes sense. The desire to be unclothed indicating his inappropriate desire for her, for instance. If not then all that nakedness makes no sense and is merely gratuitous.
Gregory appears to have an aptitude for Gothic horror and a love of Poe, however the plot needs to tighter, as does the clarity of the plot.
I received a copy of this book via NetGalley.
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